Jasmine Kan is a Brooklyn-based designer. Her practice spans across editorial, web, digital design, creative coding and printmaking. She often works in the cross sections between film and design, print and web, knitting and code. Contact her via .

Frames of Roger Deakins

Perfect Bound, 8.5 ″ × 4.5 ″, 28 pages

A catalog for an exhibition celebrating the work Roger Deakins has done as a cinematographer over the years. The publication includes stills from his most iconic films, as well as a conversation between him and Jeff Bridges.

Grand Crew and Ian Loring Shiver for Seventh Generation

Photo Treatment Deck

A pitch deck putting forward Ian Loring Shiver for Mother Design’s redesign of Seventh Generation packaging. I worked with Grand Crew to communicate Shiver’s vision.

Chairs in Use

Brand System

A design system for a web forum that highlights furniture seen in the wild, whether in films, on social media or in real life. The staggered grid system alluding to building blocks is carried throughout the different brand assets, such as letterheads and envelopes.

The Emmanuel Book

Spiral Bound, 10″ × 6.95″, 24 pages

This is an experimental transcription of a New York Times Style Magazine article about Emmanuel Olunkwa. Each page is uniquely designed to be both observed on its own, and as a stylistic part of the book system.

Screenshots

Website

Drum Lead Binding, 3.5″ × 4″, 72 spreads

An experimental publication on whether the Screenshots outputs are unique. A range of colorways are used and multiple outcomes are generated for each aspect ratio.

A Designer's Manual

Coptic Bound, 4″ × 6.8″, 88 Pages

A manual of texts I curated for designers to contemplate their design practice and hear from contrasting perspectives. Some of those voices include Kristen Coogan, Massimo Vignelli, Ed Benguiat and Mr Keedy

Out of Context

Website

An image collection of chair-like objects gathered from various online homeware shops. This digital site toys with how an object is perceived depending on the context it is placed in. Are these objects chairs or not? The code is hosted on glitch and the 100 images are connected to the site through Airtable API.

Can I Come In?

Coptic bound, Swiss bound, 8″ × 10″ with 4″ × 6.5″ inserts, 139 pages (incl. inserts)

An investigation into the financial absurdity of celebrity home tours and an appreciation of design objects through the indexing of 5 Architectural Digest Open Door tours. The five videos sourced in this publication were selected by taking into account the virality of each video alongside my personal preference.

Can I Come In? Ext.

Acrylic Yarn, 30″ × 15.5″, Silver Reed SK280

An investigation into the financial absurdity of celebrity home tours and an appreciation of design objects through the indexing of 5 Architectural Digest Open Door tours. The five videos sourced in this publication were selected by taking into account the virality of each video alongside my personal preference.